About the Event
Star of the BBC Radio 4 series, Natalie Haynes Stands Up for the Classics, the author and broadcaster brings her unique combination of ancient history and stand-up comedy to the festival. Tying in with her new novel, A Thousand Ships, she takes us on a tour of the Trojan War, arguably the greatest conflict in ancient literature, taking the largely untold stories of the women whose lives the war affected and bringing them to the forefront.
About the Author
Natalie Haynes Stands Up for the Classics was first broadcast on BBC Radio 4 in 2014, and the fourth series aired in 2018. Natalie’s documentary on Greek Tragedy and soap opera, Oedipusenders, was broadcast on Radio 4 in April 2010. She then made Attila the Hen, was about urban chicken keeping, in 2011, and Vampires vs Zombies examining the metaphorical role of our monsters du jour.
She presented With Great Pleasure, about the books which have shaped her life, on Radio 4. Natalie has appeared on Woman’s Hour, You and Yours, A Good Read, and What’s The Point Of…? and she has been a panellist on Banter, Quote Unquote, Personality Test, We’ve Been Here Before, and Armando Iannucci’s Charm Offensive, all on Radio 4. She has been a regular panellist on every series of Wordaholics (the panel show about words).
She reviews the arts for Front Row and Saturday Review, and presents the sci-fi/horror strand, The 7th Dimension, on BBC Radio 4 Extra. Natalie wrote and presented Laughing Matters, a documentary about comic writers from Jessica Mitford and Dorothy Parker to Fran Lebowitz and Cynthia Heimel, also for Radio 4, in May 2005. Her second documentary, Classical Comedy, about how modern comedians stole all their jokes from Aristophanes, Juvenal and Martial, was broadcast on Radio 4 in October 2006.
Her stand-up has been featured on Political Animal, 28 Acts in 28 Minutes, and Loose Ends on Radio 4, as well as on BBC 7’s Spanking New. She has also appeared in the Radio 4 Pick of the Fringe in 2004 and 2005.
Natalie’s first novel, The Amber Fury, was published in 2014, by Corvus. It was published in the US by St Martin’s Press under the title, The Furies. It has so far been translated into Dutch, Spanish, Italian and Chinese. It is a contemporary retelling of Aechylus’ Oresteia, set in Edinburgh and London. Her second novel, The Children of Jocasta, reworked the Theban plays by Sophocles (with a bit of help from Euripides). It was published in 2017 in the UK and 2018 in the US. Her new novel, A Thousand Ships (which retells the story of the Trojan War, its causes and its consequences, from the perspectives of its women) will be published by Pan Macmillan in May 2019.
Her book on classics and the modern world, The Ancient Guide To Modern Life, was published in the UK by Profile Books in November 2010. It was published by the Overlook Press in the US in May 2011. The Spanish edition, Una Guia de la Antiguedad Para La Vida Moderna, was published by Ares y Mares in June 2011, and the Greek edition came out in 2012. Here she is speaking to 2200 Chicagoans at Chicago Ideas Week. Her live appearances – combining her previous career as a stand-up comic with her knowledge as a classicist – have taken her from giving The Voltaire Lecture in Bloomsbury to Emory University in Atlanta, via Manchester, Cheltenham, New York and Chicago. In 2015, she added New Zealand (Dunedian and Auckland) to her speaking CV, appearing eight times across two book festivals.
Natalie’s children’s book, The Great Escape, was published by Simon & Schuster in September 2007. It won a PETA Proggy Award, for best animal-friendly children’s book, in 2008. She contributed an essay to Fifty Shades of Feminism, published by Virago in March 2013, and an essay for An Atheist’s Guide To Christmas, profits of which go to the Terrence Higgins Trust. She also wrote an essay for Serenity Found, a book about Joss Whedon’s television show, Firefly, edited by Jane Espenson, which was published in autumn 2007 by BenBella Books.
She judged the Man Booker Prize in 2013, the Orange Prize (now the Baileys Women’s Prize for Fiction) in 2012, The Independent Foreign Fiction Prize in 2014, and the Theakston’s Old Peculier Crime Novel of the Year.